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Isla the Werewolf

Making a Puppet - Isla the Werewolf
Making a Puppet - Isla the Werewolf

It was five years before the next puppet, as after I completed my studies I landed a job at the BBC and had little spare time. It wasn't until my contract ended, and I found myself between jobs in 2002 that I had a chance to create another, and when I did Isla the Werewolf was 'born'.

Other than the vague idea that I would like to make a female of some sort, there was no set plan of what to build. I went through all my things to find materials and ideas, but as I was living in shared accommodation there was not a great deal of items to use in puppet making. However, I did find some ping pong balls, felt, foam, cotton wool and the last of the old grey car seat fur fabric that was used in Fiesta's contruction eight years earlier. Further investigation came up with some Star Trek Spock ears, a set of vampire fangs, various ribbons and straps, a piece of metallic finish material, and under the stairs I discovered a small amount of chicken wire and few other little bits and bobs. As I had no job, the maximum amount of money that I could put aside after eating, rent and the ever important pub was £3.50. This was enough to buy glue and some children's clothes from a charity shop, but there was nothing left for any extras that I may need.

When I looked at the materials I had scavenged, I came up with a design for a hand and rod puppet werewolf and got to work. Following the methods I had perfected with my earlier puppets, the head was carved from the little foam I had to hand, but I hit a snag when I came to the mouth. I had no wire gauze, so I attempted to use a small piece of chicken wire instead. Although this was successful, it meant that the jaw was not as flexible as I would have liked. I cut the vampire teeth into two and put them at the top and bottom of the jaw for a set of vicious teeth. The head was covered in the fur fabric, and I used the bristles from an old paint brush to give feminine styled eyelashes and the Spock ears to give a werewolf look. The body was created in the normal way, but I attempted to give Isla more of a woman's shape. This was hampered by the clothes that I had bought, which turned out to be a little small for the purpose. As a result, the female shape is not as noticeable and Isla's arms are not as long as I would have liked, making them harder to operate. Her attire was completed with the straps, ribbons, and the metallic material to create a post-apocalyptic creature.

Sadly I was never truly satisfied with Isla, with too big a budget restriction and lack of raw materials to rummage through. If only I had a few extra pounds, or had taken the long trip to my parents to nose through their old belongings, then things may have played out better. Even so, Isla does look the part of a post-apocalyptic werewolf.

Isla is a creature of the night from a post-apocalyptic future. Cuddly dark grey fur hides her vicious nature. Pointed ears and sharp fangs are more obvious signs that she shouldn't be hugged. A pack animal, her kind hunt to maim and devour the unwary. Before a global catastrophe that caused the Earth to twist on its axis, her brethren would only transform into wolves at the full moon. Now though, there is a permanent full moon in the sky so she is forever the vicious killer she-wolf. The few remaining areas of lush valleys and jungle have been taken over by the werewolves, and humanity has been pushed far away into the wastelands beyond. From time to time, they venture into Isla's territory, and she soon picks up the trail of the human packed lunches. Time to run.

Building Isla

Isla
Concept Art

This website is the copyright of Benjamin Burford-Jones 2014, except quotations and photographs used to illustrate various traditional and television puppets.
No material should be reproduced in any form whatsoever for purposes of commercial gain without obtaining the copyright holder’s express permission. 

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